John Lennon & Yoko Ono on CBC Weekend (December 20, 1969)

Hosted by Lloyd Robertson, the show delved into the couple's efforts to promote peace, particularly in the context of their recent encounter with Marshall McLuhan at the University of Toronto.

Lennon introduced the episode as "Peace Weekend," setting the tone for a discussion centered around their peace campaign. Joining them on the show was Rabbi Abhraham Feinberg, who had participated in the chorus of "Give Peace A Chance."

Broadcasting live from the CBC Studio in Toronto, the interview touched on various aspects of Lennon and Ono's activism. A notable moment occurred when legislator Russell Doern, linked up from Winnipeg, read a letter from Manitoba's premier inviting Lennon and Ono to promote peace in the province. Lennon's enthusiastic response showcased his genuine commitment to the cause.

During the interview, Lennon explained his choice of Canada for their peace campaign, expressing a desire to avoid being labeled as "Mr. and Mrs. Dead Saint of 1970." Rabbi Feinberg echoed the sentiment, emphasizing the campaign's aim to transcend political boundaries and resonate with people on a grassroots level.

Despite some skepticism, particularly regarding the effectiveness of their efforts, Lennon and Ono remained steadfast in their belief that their campaign had value in fostering dialogue and spreading the message of peace.

John Lennon & George Harrison In Concert at the Lyceum Ballroom, London (December 15, 1969)

The Plastic Ono Band's live performance at the Lyceum Ballroom in London on Monday, December 15, 1969, was a momentous event that pushed boundaries and challenged expectations. The concert was part of a benefit event for the charity UNICEF, titled "Peace For Christmas," and featured an eclectic lineup of acts including the Young Rascals, Desmond Dekker and the Aces, Blue Mink, and Black Velvet, among others.

This particular performance by the Plastic Ono Band, however, stood out as a historic moment in music history. With just 48 hours' notice, the lineup for the Plastic Ono Band's debut European concert included an impressive array of talent: John Lennon, George Harrison, Eric Clapton, Klaus Voormann, Alan White, Billy Preston, Bobby Keys, Jim Price, and others.

The stage was set for an unforgettable night as Lennon, Harrison, Clapton, and the rest of the band took to the stage amidst a backdrop declaring "War Is Over." The atmosphere crackled with anticipation as the audience eagerly awaited what would unfold.

The performance itself was a revelation, with the band launching into a set that included the current single "Cold Turkey" and its B-side, "Don't Worry Kyoko (Mummy's Only Looking For Her Hand In The Snow)." "Cold Turkey" kicked off the set with raw intensity, showcasing Lennon's powerful vocals and the band's tight instrumentation.

However, it was the performance of "Don't Worry Kyoko" that truly captivated the audience. Clocking in at around 40 minutes, the song stretched the boundaries of conventional rock music, with Ono's primal wails soaring over the band's hypnotic grooves. The performance was described as "the most fantastic music" by Lennon himself, pushing the boundaries of what was expected from a live concert.

While some audience members may have been taken aback by the unconventional nature of the performance, those who stayed were treated to an immersive and transformative experience. As drummer Alan White recalled, the performance reached a frenetic climax as the band played faster and faster until they could go on no more.

In hindsight, the concert at the Lyceum Ballroom remains a landmark moment in music history, showcasing the innovative spirit and boundary-pushing ethos of the Plastic Ono Band. It was a night that defied expectations, challenged conventions, and left a lasting impression on all who were lucky enough to witness it.

 

John Lennon on the Death Penalty in Britain (December 15, 1969)

In 1969, John Lennon and Yoko Ono became deeply involved in the case of James Hanratty, a convicted murderer who had been executed seven years prior for a notorious crime in Britain. The case involved the rape of Valerie Storie and the murder of Michael John Gregsten on the A6 highway in Bedfordshire in 1961. Despite Hanratty's execution, doubts persisted about his guilt, with many suspecting another individual, Peter Alphon, as the likely perpetrator.

The trial, marked by extensive media coverage and public interest, resulted in Hanratty's conviction, although the evidence against him was somewhat circumstantial. His family continued to advocate for his innocence, and in late 1969, they met with John Lennon and Yoko Ono through a mutual acquaintance, John Cunningham. Lennon and Ono, in their characteristic style of activism, announced plans to make a film supporting Hanratty's case, aligning it with their broader protest against capital punishment.

The film, titled Did Britain Murder Hanratty?, was released by Apple Films, although Lennon's exact involvement remains unclear. Despite this, the film became associated with Lennon, and its only public screening occurred in 1972. The case sparked discussions about capital punishment and the fairness of the legal system, especially considering Hanratty's criminal record and the later DNA tests that seemingly confirmed his guilt.

 

George Harrison at Beat '70, Falkoner Theatre, Copenhagen, Denmark (December 10, 1969)

On Wednesday, December 10, 1969, George Harrison made a surprise appearance during two concerts by the American musical duo Delaney & Bonnie at the Falkoner Theatre in Copenhagen, Denmark.

This marked a significant moment as it was Harrison's first stage appearance since The Beatles' final concert in August 1966. Having joined Delaney & Bonnie's UK tour earlier in Bristol on December 2, 1969, Harrison's presence added a layer of excitement and anticipation to the evening's performances.

The concerts, held at 7:30 p.m. and 10:00 p.m. CET, were not only memorable for Harrison's participation but also for being videotaped for broadcast on DR-TV's Beat '70: "The Original Delaney & Bonnie & Friends." This recording ensured that fans around the world could experience the magic of these historic performances.

 

How Did the Beatles React to John's Death?

When John Lennon was tragically killed on December 8, 1980, the news sent shockwaves around the world, and the reaction from The Beatles, particularly his former bandmates, was deeply profound and sorrowful.

 

George Harrison - Interview (December 3, 1976)

On December 3, 1976, George Harrison appeared on Granada Reports for an interview. Following this, footage was captured of Harrison watching a clip of the Beatles performing "This Boy" from 1963.

 

John Lennon: Man of the Decade (December 2, 1969)

Man Of The Decade presents an insightful and thought-provoking exploration of the life and impact of John Lennon, one of three nominees for the prestigious title. Commissioned by Associated TeleVision (ATV), the documentary features segments dedicated to each nominee, with Lennon's segment culminating the program.

Anthropologist Desmond Morris, Lennon's nominator, offers a compelling perspective on the musician's influence, accompanied by carefully selected archival footage and newsreels that trace Lennon's journey from his early days with The Beatles to his more recent endeavors with Yoko Ono.

The segment delves into Lennon's unconventional approach to education, his views on success and mainstream values, and his optimistic outlook on the future. Lennon reflects on the transformative power of music, from the early days of rock 'n' roll to the psychedelic era and beyond.

Throughout the interview, Lennon candidly discusses his experiences with drugs and meditation, portraying them as coping mechanisms in the face of life's pressures. He also emphasizes the importance of nurturing relationships, particularly his bond with Yoko Ono, as a pathway to achieving harmony in the world.

As the interview concludes, Lennon offers a glimpse into his vision for the future, expressing excitement for the possibilities ahead and reassuring viewers, including the skeptics, that the coming decade holds promise and potential for positive change.

The documentary provides a multifaceted portrait of Lennon's life and legacy, offering viewers a deeper understanding of his beliefs, values, and aspirations. It serves as a testament to Lennon's enduring impact as a cultural icon and a champion of peace and love.

 

Pattie Boyd Pictures

Pattie Boyd Pictures

Paul McCartney On His Scottish Farm in High Park, Campbeltown (October 24, 1969)

In the midst of a swirling storm of rumors and speculation, Paul McCartney found himself at the center of an extraordinary media frenzy. The infamous "Paul is Dead" myth, which had been spreading like wildfire across continents, had reached a fever pitch, prompting McCartney to take action.

Retreating to his Scottish farm in Campbeltown, McCartney decided to confront the rumors head-on. On this fateful day, he agreed to an interview with the BBC's Chris Drake, providing a rare glimpse into his secluded life amidst the chaos.

With steadfast determination, McCartney addressed the allegations with a calm resolve, denying emphatically the absurd notion of his demise. Drawing inspiration from Mark Twain, he quipped, "Rumors of my death have been greatly exaggerated," in an effort to dispel the growing hysteria.

Joined by his wife Linda, McCartney expressed frustration at the relentless media scrutiny, lamenting the intrusion on their peaceful holiday. Despite their protestations, the press persisted in perpetuating the outlandish claims, forcing McCartney to assert his vitality unequivocally.

Amidst discussions about his rustic Scottish abode and his desire for privacy, McCartney offered insights into his evolving priorities, emphasizing his newfound joy in family life over the relentless pursuit of fame. With candor and sincerity, he hinted at a desire to retreat further from the public eye, suggesting that The Beatles had no immediate plans for a reunion and hinting at a prolonged absence from London until the dawn of the new decade.

 

How Did the Beatles Affect Music?

The Beatles had a transformative and lasting impact on the music industry in numerous ways:

• Innovative Songwriting: The Beatles revolutionized popular music with their innovative songwriting techniques, incorporating elements of rock and roll, pop, folk, classical, and other genres into their music. Their use of inventive chord progressions, intricate harmonies, and sophisticated arrangements set new standards for songwriting and composition.

• Studio Experimentation: The Beatles pushed the boundaries of studio recording techniques, pioneering new approaches to production, engineering, and sound manipulation. They embraced innovative recording technologies such as multi-track recording, tape loops, and backwards recording, allowing them to create complex and layered compositions that were previously unheard of in popular music.

• Album as Artistic Statement: The Beatles elevated the album format to new heights, treating each album as a cohesive artistic statement rather than simply a collection of singles. They introduced concepts such as thematic cohesion, narrative structure, and sonic experimentation, paving the way for the concept album and progressive rock movements of the late 1960s and beyond.

• Cultural Icons: The Beatles became cultural icons whose influence extended beyond music to encompass fashion, film, literature, and art. Their distinctive style, charismatic personalities, and groundbreaking music made them symbols of the youth movement and the counterculture of the 1960s.

• Global Reach and Legacy: The Beatles' music transcended cultural and geographical boundaries, appealing to audiences of all ages and backgrounds around the world. Their songs continue to be celebrated and revered as timeless classics, ensuring their legacy will endure for generations to come.

The Beatles' impact on music was profound and far-reaching, shaping the course of popular music and inspiring countless artists and musicians across a wide range of genres. They helped to define the sound of the 1960s and continue to influence and inspire artists and audiences to this day.

 

The Beatles' TV Debut: People and Places (October 17 & 29, 1962)

Television has always been a powerful medium for showcasing talent, capturing moments in time, and shaping cultural phenomena. On October 17, 1962, a momentous occasion unfolded on the small screen as four young lads from Liverpool made their television debut on the local programme "People And Places" produced by Granada Television. Yes, you guessed it right; it was none other than The Beatles!

Broadcast only in the north and north-west of England, "People And Places" may not have had the global reach of today's television, but its significance cannot be understated. The Beatles, still on the cusp of their meteoric rise to worldwide fame, took to the stage at Studio Four of Granada TV Centre in Manchester, marking the beginning of their television journey.

The Beatles, known for their electrifying performances and infectious energy, spent hours rehearsing before the cameras, fine-tuning their act for the live broadcast from 6:35 to 7:00 pm. With a setlist comprising "Some Other Guy" and their then-new single "Love Me Do," the Fab Four captivated audiences with their raw talent and undeniable charisma.

Fast forward twelve days, and The Beatles found themselves back at Granada TV Centre for another appearance on "People And Places," this time for a pre-recorded performance. On October 29, 1962, from 6:30 to 7:00 pm, viewers in the north and north-west of England were treated to another dose of Beatlemania.

The setting for this second appearance was notably different, adding a unique twist to The Beatles' stage presence. John Lennon, usually at the forefront alongside Paul McCartney, took a seat as if he were a solo performer, while the rest of the group stood behind him. Despite the unconventional setup, their performance of "Love Me Do" and "A Taste Of Honey" showcased their musical prowess and versatility.

However, what makes this particular episode of "People And Places" stand out is the fact that it wasn't broadcast live. Instead, it was aired on November 2, 1962, giving audiences a chance to witness The Beatles in action even after the band had already ventured off to Hamburg.

Reflecting on these early television appearances, it's clear that they served as crucial milestones in The Beatles' journey to global superstardom. From their humble beginnings in Liverpool to conquering stages around the world, television played a pivotal role in introducing The Beatles to audiences far and wide, setting the stage for their legendary career.

 

John Lennon & Yoko Ono Interviewed by Ugly George at the Copocabana Club, New York City (October 13, 1976)

In October 1976, John Lennon and Yoko Ono made a brief appearance on the TV show "The Ugly George Hour Of Truth, Sex & Violence" hosted by Manhattan Cable TV Host "Ugly George." The interview took place at Andy Warhol's Copacabana disco reopening in New York. The discussion revolved around the topic of sex on TV. While the complete interview reportedly lasted around 3 minutes, available audio copies are incomplete, lasting around 2:30 minutes.

 

John Lennon Interviewed at the Hit Factory, New York City (October 10, 1980)

In this interview from October 10, 1980, John Lennon discusses his relationship with Paul McCartney and the inevitable comparisons between them. He mentions hearing Paul's record "Coming Up" and preferring the original version Paul made in his barn over the live Glasgow one. John expresses frustration with the record company altering Paul's music and reflects on their competitive dynamic, both in terms of sales and artistically. He emphasizes that their relationship was complex and competitive, comparing it to comparing artists like Magritte and Picasso. Despite this competition, John acknowledges being impressed by Paul's work, which often motivated him to create his own music. However, he states that Paul never surprised him because their bond was akin to that of brothers who had known each other since they were fifteen.

The Mersey Sound - Full Documentary - Featuring The Beatles (October 9, 1963)

"The Mersey Sound" is a documentary capturing the essence of Mersey Beat, featuring The Beatles during their stay in Southport for a series of six nights at the Odeon Cinema. Produced by Don Haworth, a BBC producer based in Manchester, the documentary aimed to showcase the energy and spirit of the Mersey Beat scene.

Haworth first met The Beatles on July 21, 1963, to discuss his vision for the documentary and secured exclusive access after signing a contract with Brian Epstein on August 6. Filming took place in Southport, Manchester, and Liverpool from August 27 to 30.

On the first day of filming, The Beatles were captured performing at the Little Theatre on Hoghton Street in Southport, sans audience, to ensure usable footage without the distraction of fan frenzy. They performed renditions of "Twist And Shout," "She Loves You," and "Love Me Do" while wearing their signature grey and black collarless suits.

Haworth later incorporated footage of fans from The Beatles' concert at the Odeon Cinema into the documentary. In the final edit, EMI recordings of the songs were dubbed onto the footage instead of the live audio. "The Mersey Sound" provides a glimpse into the early days of Beatlemania and the burgeoning Mersey Beat scene that would soon take the world by storm.

 

John Lennon & George Harrison Interview on Frost Programme (October 4, 1967)

Following their successful appearance on The Frost Programme just days prior, John Lennon and George Harrison returned to Wembley Studios in London for another enlightening discussion on Transcendental Meditation. Hosted by the esteemed David Frost, the duo delved into the depths of meditation once more, fielding questions from viewers' letters and engaging with members of the studio audience.

During the 45-minute show, Lennon and Harrison shared their personal insights and experiences with Transcendental Meditation, shedding light on its benefits and addressing any skepticism. The conversation extended beyond mere advocacy, as they participated in a lively discussion with both proponents and opponents of meditation, offering a well-rounded perspective on the practice.

Recorded from 6-7pm, the edition of The Frost Programme provided a platform for thoughtful discourse on meditation and its implications. Broadcasted on the ITV network from 10:30-11:15pm on the same evening, the episode offered viewers a deeper understanding of Transcendental Meditation through the lens of two iconic musicians.

 

Pattie Boyd Pictures

John Lennon and Yoko Ono Demonstrate "Howling" (September 15, 1969)

On Monday, September 15, 1969, at the iconic Apple Corps headquarters in London, England, ITV News correspondent Keith Hatfield had the exclusive opportunity to sit down with Lennon and Ono, who discussed the genesis of "howling."With the dissolution of the Beatles looming and rumors swirling about potential solo projects, Lennon hinted at his willingness to explore new avenues of creativity.

This footage originally aired on Tuesday, September 16, 1969, and within four days Lennon would announce his departure from the Beatles at an Apple meeting with the group.

 

John Lennon and the Plastic Ono Band: Sweet Toronto (September 13, 1969)

On the night of Saturday, September 13, 1969, the Toronto Rock and Roll Revival Festival erupted in a whirlwind of music, mayhem, and unexpected moments. For John Lennon, it began with a sense of reluctance, a nagging regret at having agreed to take the stage at all. But as fate would have it, Lennon found himself swept up in a whirlwind of events, propelled forward by the irrepressible energy of his bandmates and the allure of rock 'n' roll.

As the hastily assembled Plastic Ono Band – featuring Lennon, Eric Clapton, Klaus Voormann, and Alan White – boarded a plane bound for Canada, the air crackled with anticipation. Amidst the hum of engines and the chatter of passengers, the group hastily rehearsed a medley of rock 'n' roll standards, their impromptu jam sessions setting the stage for what was to come.

Arriving at the Varsity Stadium of Toronto University, the band found themselves thrust into a festival atmosphere unlike any other. With 20,000 eager ticket holders unaware of their impending performance, the element of surprise hung thick in the air, adding to the electric atmosphere of the night.

As midnight approached, the Plastic Ono Band's black limousine swept into the backstage area, accompanied by a roaring procession of 80 motorcycles. Amidst a flurry of excitement and flashing cameras, Lennon and his bandmates retreated to the dressing room, nerves and anticipation mingling in equal measure.

But when the moment finally arrived, all doubts melted away in the blaze of lights and the roar of the crowd. Led by Lennon's raw vocals and Clapton's blistering guitar solos, the band tore through a setlist that spanned the spectrum of rock 'n' roll, from the infectious rhythm of 'Blue Suede Shoes' to the raw intensity of 'Cold Turkey'.

Yet, amidst the frenzy of performance, Lennon's candor shone through. Admitting his struggles with addiction and his inability to recall lyrics, he improvised words on stage, weaving a tapestry of spontaneity and emotion that captivated the audience.

The Beatles at the Savoy Hotel, London (September 10, 1963)

On September 10, 1963, during a rare break from their hectic schedule, John Lennon and Paul McCartney attended a luncheon at the Savoy Hotel in London hosted by the Variety Club of Great Britain. They were honored with the award for Top Vocal Group of the Year, solidifying The Beatles' growing status as establishment figures. The Variety Club, associated with Variety, the Children's Charity, has long-standing ties to the entertainment industry and aims to raise funds for disadvantaged children.

 

Pattie Boyd Pictures

The Beatles Attending a Bob Dylan Concert at the Isle of Wight Festival (August 31, 1969)

On the evening of Sunday, August 31, 1969, the Isle of Wight Festival pulsed with anticipation as music legends converged for a historic event. Among the throngs of eager spectators were none other than three-quarters of The Beatles – John Lennon, George Harrison, and Ringo Starr – accompanied by their wives, Yoko Ono, Pattie Harrison, and Maureen Starkey.

The festival's main attraction? None other than the enigmatic Bob Dylan, making his triumphant return to the stage after a three-year hiatus. As the sun dipped below the horizon, Dylan and his band took to the stage, their music igniting the night with a fiery energy that reverberated through the hearts of the 150,000-strong audience.

Amidst the sea of faces, familiar figures could be spotted – Keith Richards, Bill Wyman, Eric Clapton, and more, all drawn by the magnetic pull of Dylan's legendary performance. For Lennon, Harrison, and Starr, the evening held a special significance, a chance to witness one of their musical heroes in action.

Yet, as the night wore on, anticipation gave way to a sense of restless energy. The late hour weighed heavily on the crowd, and even the promise of a potential Beatles-Dylan jam seemed to hang in the balance. Despite their eagerness, the opportunity never materialized, leaving a sense of unfulfilled possibility lingering in the air.

After the final chord had faded into the night, the three Beatles found themselves at Dylan's rented farmhouse, where they shared in the camaraderie of music and friendship. Amidst laughter and revelry, they presented Dylan with a pre-release copy of Abbey Road, a gesture of respect and admiration between musical titans.

As the night stretched into the early hours, the farmhouse echoed with the strains of Abbey Road, a testament to the enduring bond shared between artists who had shaped the very fabric of rock 'n' roll. And in that moment, amidst the glow of friendship and music, the spirit of collaboration thrived, transcending the boundaries of fame and fortune.

When Did the Beatles Meet Elvis?

The Beatles met Elvis Presley on August 27, 1965, at Presley's home in Bel Air, Los Angeles. This meeting is often referred to as one of the most iconic moments in the history of popular music, bringing together two of the biggest stars of the era.

The meeting was arranged by Brian Epstein, The Beatles' manager, who reached out to Colonel Tom Parker, Presley's manager, to arrange the encounter. Both groups were eager to meet each other, as they admired each other's work and had a mutual respect for each other's talents.

When The Beatles arrived at Presley's home, they were greeted warmly by Presley and his entourage. The two groups spent several hours together, chatting, jamming on guitars, and exchanging stories about their experiences in the music industry.

Despite some initial nervousness and awkwardness, the meeting was a friendly and memorable occasion for both parties. Although no recordings or photographs of the encounter exist, the meeting between The Beatles and Elvis Presley remains a legendary moment in music history, symbolizing the meeting of two cultural icons and the peak of Beatlemania.

 

How Did the Beatles' Manager Die?

Brian Epstein, The Beatles' manager, died of an accidental drug overdose on August 27, 1967, at the age of 32. Epstein had struggled with depression and anxiety throughout his life, and his death was attributed to an accidental overdose of sleeping pills. He was found unconscious in his London home by his housekeeper, and despite efforts to revive him, he was pronounced dead upon arrival at the hospital.

Epstein's death was a tragic loss for The Beatles and the music industry as a whole. He had played a pivotal role in shaping the band's career and helping them achieve international fame and success. His untimely passing left a void in the lives of those who knew him, and his legacy as one of the greatest music managers of all time continues to be celebrated to this day.

The Beatles - Live at the ABC Theatre, Blackpool, England (August 25, 1963)

On August 25, 1963, The Beatles performed at the ABC Theatre in Blackpool, Lancashire, marking their sixth concert in the city within a span of two months. This particular performance was part of a series of shows held at either the ABC Theatre or the Queen's Theatre on Sunday nights between July and September 1963.

It was the fourth of five shows that The Beatles played at the ABC Theatre in Blackpool. The concerts were introduced by actor Jack Douglas, adding a touch of showbiz to the events.

Notably, a three-minute silent 8mm film of The Beatles' performance from this concert was auctioned in February 2015. This film, believed to be the earliest known color footage of the group, was shot by Chas McDevitt, a skiffle singer who was also on the bill at the ABC Theatre that night.

This concert was yet another opportunity for fans to experience The Beatles' energetic live performances during the height of Beatlemania, further cementing their reputation as one of the most iconic bands in music history.

 

Frost on Saturday (August 24, 1968)

John Lennon and Yoko Ono captivated audiences on the fourth edition of Frost On Saturday, hosted by David Frost. Broadcasting live from Studio One of Wembley Studios in London, the couple, adorned in black attire with white badges from their art exhibition "You Are Here," engaged in a thought-provoking discussion about their personal and artistic philosophies.

Amidst other guests including singer Blossom Dearie and satirist Stan Freberg, Lennon and Ono seized the opportunity to delve into the essence of their exhibition, which invited active participation from visitors. Ono described the exhibition as unfinished, symbolized by a broken cup on a pedestal awaiting mending.

Lennon elaborated on the interactive nature of their art, showcasing a blackboard with "You Are Here" scrawled in chalk and discussing visitors' varied reactions. The segment featured a glimpse of their film "Smile," described by Lennon as a poignant portrait.

As the discussion progressed, Lennon and Ono sensed the audience's intrigue but also skepticism. They invited guests to partake in the "Hammer a nail" piece, offering a unique outlet for channeling aggression and fostering engagement. The segment culminated in a playful interaction as David Frost joined in, humorously acknowledging his novice status with applause from the audience.

Ono introduced another artwork, "Built Around," highlighting their collaborative approach to art. Lennon shared anecdotes, including the tale of their first encounter, a story recounted in subsequent interviews.

The interview concluded with Lennon and Ono reflecting on their endeavor to communicate through art and music, accompanied by the Beatles' forthcoming single, 'Hey Jude,' playing over the closing credits.

 

When Did the Beatles Become a Band?

The Beatles officially formed as a band in Liverpool, England, in 1960. The core lineup of the band consisted of John Lennon, Paul McCartney, George Harrison, Stuart Sutcliffe, and Pete Best. Lennon and McCartney had been performing together since 1957 as part of a skiffle group called The Quarrymen, but the formation of The Beatles marked the beginning of their professional collaboration as a band.

The name "The Beatles" was adopted in August 1960, shortly before their first trip to Hamburg, Germany, to perform at clubs in the city's nightlife district. Over the next few years, The Beatles honed their musical skills and developed their distinctive sound through extensive live performances in Liverpool, Hamburg, and other cities in the United Kingdom and Europe.

The early years of The Beatles were marked by numerous lineup changes, with Stuart Sutcliffe leaving the band in 1961 and Pete Best being replaced by Ringo Starr as the drummer in 1962. By the time of their breakthrough success in 1963 with the release of their first #1 single, "Please Please Me," The Beatles had solidified their lineup and established themselves as one of the most promising bands in the burgeoning British music scene.

 

The Beatles’ Last Photoshoot - Tittenhurst Park (August 22, 1969)

August 22, 1969, marked a bittersweet milestone in the annals of music history – The Beatles' final photo shoot. Gathered together for one last time in the tranquil environs of Tittenhurst Park, the band embarked on a poignant journey through lens and light.

Nestled amidst the verdant grounds of John Lennon and Yoko Ono's Sunninghill estate, this historic session captured the essence of an era drawing to a close. Against the backdrop of Tittenhurst's sprawling acres, Ethan Russell and Monte Fresco wielded their cameras, immortalizing the band in a series of iconic shots.

Amidst the click of shutters and the whisper of leaves, John, Paul, George, and Ringo stood united, their bond palpable even as the shadows of change loomed large. Joined by Yoko Ono and a radiant, heavily pregnant Linda McCartney, the group painted a portrait of camaraderie and resilience in the face of an uncertain future.

From the grandeur of the main house to the quiet serenity of the garden path, each frame captured a moment suspended in time – a testament to the enduring legacy of The Beatles. Wide-brimmed hats adorned Lennon and Harrison, adding a touch of whimsy to the solemnity of the occasion.

As the sun dipped low on the horizon, the shutter ceased its rhythmic dance, and the final clicks echoed through the hallowed halls of Tittenhurst. Yet, in those fleeting moments frozen in emulsion, The Beatles' spirit lived on – a timeless reminder of the power of music to transcend the confines of space and time.

Though the day may have ended, the memories captured on film would endure, a lasting testament to the indelible mark left by four young men from Liverpool who dared to dream beyond the confines of their era. And as the final rays of sunlight bathed Tittenhurst Park in a golden glow, The Beatles bid farewell to an era, leaving behind a legacy that would resonate for generations to come.

 

The Beatles' First TV Appearance: Know the North - Live at the Cavern Club (August 22, 1962)

In the annals of music history, certain moments stand out as pivotal, altering the trajectory of not just a band's career, but the entire landscape of popular culture. August 22, 1962, marked one such moment when The Beatles, still in their formative years, took to the stage at Liverpool's iconic Cavern Club for their 126th lunchtime performance. Little did they know, this performance would also mark their television debut, immortalizing their raw talent and infectious energy for generations to come.

The Cavern Club, nestled in the heart of Liverpool's bustling Mathew Street, served as a breeding ground for emerging talent, a crucible where artists honed their craft amidst the dimly lit underground ambiance. For The Beatles, it was a second home, a stage where they had captivated audiences time and again with their electrifying performances. But on that fateful August afternoon, the stakes were higher than ever before.

Granada Television, intrigued by the fervor surrounding the band and spurred on by the deluge of fan mail flooding their offices, decided to capture The Beatles in their element. The decision to feature them on the Know The North program would prove to be a stroke of genius, a decision that would forever cement their place in the pantheon of musical legends.

As the cameras rolled and the crowd buzzed with anticipation, The Beatles launched into their set, belting out their now-iconic rendition of "Some Other Guy." It was a moment of pure magic, the convergence of talent, passion, and an undeniable connection with their audience. But amidst the cheers and applause, a lone voice cried out, "We want Pete!" — a stark reminder of the recent departure of drummer Pete Best, replaced by Ringo Starr just days prior.

The footage captured that day, though marred by technical imperfections and audio discrepancies, would become a cherished artifact, a window into a bygone era of rock 'n' roll. For years, the tape languished in obscurity, its significance overlooked until The Beatles ascended to global superstardom.

It wasn't until November 6, 1963, that "Some Other Guy" finally made its television debut on Granada's Scene At 6.30, a momentous occasion that heralded the band's meteoric rise to fame. Since then, the footage has been revisited time and again, a testament to the enduring appeal of The Beatles and the indelible mark they left on music history.

But perhaps equally remarkable is the story behind the audio recording of that historic performance. Forgotten for decades in a dusty desk drawer, the tape resurfaced in 2015, offering a crystal-clear glimpse into the sonic landscape of The Beatles' early years. Its discovery serves as a poignant reminder of the countless untold stories and hidden treasures waiting to be unearthed in the annals of music history.

As we reflect on that fateful day in August 1962, let us not only celebrate the legacy of The Beatles but also marvel at the serendipitous chain of events that immortalized their humble beginnings on the small screen. For in that dimly lit cavern, amidst the echoes of cheering fans and the strum of guitars, a revolution was born — one that would forever change the course of music as we know it.

John Lennon: Recording "I'm Losing You" at the Hit Factory (August 19, 1980)

The footage captures John Lennon recording "I'm Losing You" at the Hit Factory Studio on August 19, 1980, alongside Yoko Ono. Director Jay Dubin intended to produce music videos to promote their upcoming album "Double Fantasy." The recording sessions for both "I'm Losing You" and Yoko's "I'm Moving On" were filmed using two cameras, and the footage was stored on 1-inch video tapes. Despite Dubin never editing the footage, raw film of the sessions exists.

This footage holds significant historical importance as it marks the last documented time John Lennon was filmed making music before his tragic death. Although unseen by the public for years, snippets were included in the 1985 documentary "Yoko Ono: Then & Now" and later broadcast by NHK-TV of Japan in 1992.

A version of the 1998 "line drawing" video for "I'm Losing You" was uploaded by Revolver Records & Video, featuring footage from the secondary camera showing Lennon playing his Sardonyx guitar. Despite Lennon's reported attempt to destroy the film, the footage survived, showcasing his passionate performance. Despite Lennon's dissatisfaction with his appearance in the video, the clip serves as a poignant reminder of his talent and energy.

The release of this footage has dispelled doubts about its existence, leaving fans hopeful for a complete edited version. However, reports suggest that only twenty minutes of footage from camera two remain. Nonetheless, the emergence of this footage provides a rare glimpse into Lennon's final studio sessions and serves as a testament to his enduring legacy.

 

How Did the Beatles Affect American Culture?

The Beatles had a profound and lasting impact on American culture in numerous ways:

• Musical Influence: The Beatles revolutionized popular music with their innovative songwriting, catchy melodies, and experimental sound. Their influence can be heard in countless bands and artists across a wide range of genres, from rock and pop to hip-hop and electronic music.

• Fashion and Style: The Beatles' distinctive style, from their signature haircuts to their colorful mod-inspired clothing, influenced fashion trends in the 1960s and beyond. Their look became synonymous with the "British Invasion" of music and culture in the United States.

• Youth Culture and Identity: The Beatles became icons of youth culture, embodying the spirit of rebellion, freedom, and self-expression that defined the 1960s counterculture. Their music and message resonated with a generation of young people who were challenging traditional norms and values.

• Media and Marketing: The Beatles were masters of media and marketing, leveraging their popularity to shape and control their image through television appearances, press conferences, and promotional campaigns. They set new standards for celebrity culture and became pioneers in the field of music merchandising.

• Social and Political Impact: The Beatles were not only musicians but also cultural ambassadors who used their platform to advocate for social and political change. Their music and activism played a role in shaping public opinion on issues such as civil rights, peace, and environmentalism.

• Legacy and Enduring Influence: Even decades after their breakup, The Beatles continue to be celebrated and revered as one of the greatest bands in the history of popular music. Their songs remain timeless classics that are beloved by people of all ages and backgrounds, ensuring their legacy will endure for generations to come.

The Beatles' impact on American culture was profound and far-reaching, touching every aspect of society from music and fashion to politics and social change. They helped to shape the cultural landscape of the 20th century and continue to inspire and influence artists and audiences around the world.

 

The Beatles on Scene at 6.30 (August 14, 1963)

On August 14, 1963, The Beatles made an appearance on the television program "Scene At 6.30" at Granada TV Centre in Manchester. "Scene At 6.30" was a current affairs magazine show broadcast to England's northern ITV region.

The recording took place in Studio Four, where The Beatles performed two songs. They opted for a more casual look, sporting black polo-necks and jeans, a departure from their usual suited attire. The first song, "Twist And Shout," was broadcast on the same evening, while the second song, "She Loves You," was shown the following Monday.

Following the filming, The Beatles drove back to Llandudno, where they were in the midst of a six-night residency at the Odeon Cinema

 

How Did the Beatles Affect Society?

The Beatles had a profound and multifaceted impact on society, influencing culture, politics, and social norms in numerous ways:

• Musical Revolution: The Beatles revolutionized popular music with their innovative sound, songwriting, and studio techniques. Their influence can be heard in virtually every genre of music, from rock and pop to hip-hop and electronic music.

• Youth Culture and Identity: The Beatles became symbols of the youth movement of the 1960s, embodying the spirit of rebellion, freedom, and self-expression. Their music and image resonated with a generation of young people who were challenging traditional norms and values.

• Fashion and Style: The Beatles' distinctive style, from their signature haircuts to their mod-inspired clothing, influenced fashion trends in the 1960s and beyond. They helped to popularize the "British Invasion" look and set new standards for personal style and grooming.

• Social and Political Activism: The Beatles used their platform to advocate for social and political change. They spoke out against war, injustice, and inequality, and their music became anthems for the peace and civil rights movements of the 1960s.

• Globalization of Culture: The Beatles' global appeal helped to break down cultural barriers and bring people together across national borders. Their music and message transcended language and cultural differences, uniting fans around the world in a shared love of music and art.

• Legacy and Inspiration: Even decades after their breakup, The Beatles continue to be celebrated and revered as one of the greatest bands in the history of popular music. Their songs remain timeless classics that are beloved by people of all ages and backgrounds, and their influence can be seen in the work of countless artists and musicians around the world.

The Beatles' impact on society was profound and enduring, shaping the cultural landscape of the 20th century and leaving an indelible mark on the world. Their music and message continue to resonate with audiences and serve as a reminder of the power of art to inspire, unite, and bring about positive change.

 

George Harrison Signing Autographs at His Home in Kinfauns, Esher, England (August 4, 1969)

In this rare footage, witness the quiet charm of the "Quiet Beatle" as he graciously interacts with Pat Kinzer Mancuso, President of the George Harrison Fan Club.

As the camera captures the scene, George, ever the embodiment of humility, takes time out of his day to connect with fans who have journeyed from afar to meet their idol. Pat, who had fostered a deep connection with George through her role in the fan club, stands in awe alongside her friends as they come face to face with the man behind the music.

In a moment filled with nervous anticipation, George breaks the ice with his trademark wit, paving the way for a memorable exchange. Despite his own apparent stresses, George's genuine warmth shines through as he engages with Pat and her companions, signing autographs and even lending a creative hand in designing a special birthday card for fellow fan club members.

Through the lens of history, this poignant encounter captures the essence of George Harrison – a musician, a friend, and a beacon of kindness in a world captivated by Beatlemania. Join us as we journey back to a time when music transcended fame, and a simple act of generosity left an indelible mark on those fortunate enough to experience it firsthand.

 

Pattie Boyd Pictures

The Beatles - The Complete Hey Jude Recording Sessions at EMI Studios (July 30, 1968)

On this historic day, Studio Two at Abbey Road was abuzz with creative energy as The Beatles embarked on the second session for their monumental track, "Hey Jude." Under the guidance of producer George Martin and engineer Ken Scott, the Fab Four dove deeper into shaping the song's sound and structure.

Seventeen takes were meticulously recorded, marked with numbers 7-23, as the band fine-tuned the arrangement, striving for perfection. Despite their musical genius, tensions simmered between bandmates, notably between Paul McCartney and George Harrison, as disagreements arose over guitar parts, adding a layer of drama to the proceedings.

Amidst the musical exploration, a film crew documented the session for the documentary Music! by the National Music Council of Great Britain, providing a rare behind-the-scenes glimpse into The Beatles' creative process. The footage captures the band members immersed in their craft, with McCartney on vocals and piano, Lennon on acoustic guitar and vocals, and Starr holding down the beat on drums.

In a spontaneous burst of creativity, The Beatles treated listeners to impromptu renditions of "St. Louis Blues" and Ray Charles’ "Don’t Let The Sun Catch You Crying."

As the day drew to a close, the definitive take of "Hey Jude," take 23, emerged, setting the stage for further overdubs. With two reduction mixes, numbered 24 and 25, completed, the groundwork was laid for additional layers of vocals and instruments.

Before bidding farewell to Studio Two, a rough mix was crafted, paving the way for George Martin to work his orchestral magic, adding the finishing touches to this iconic anthem. As the sun set on Abbey Road, the legacy of "Hey Jude" was in the making, destined to become a timeless masterpiece cherished by generations to come.

 

The Beatles at Royal Pier Hotel, Weston-Super-Mare and Brean Down Beach (July 27, 1963)

 

Why Did the Beatles Become Popular When They Did?

 

The Beatles became popular when they did due to a convergence of several key factors:

• Musical Talent and Innovation: The Beatles' music was innovative, catchy, and accessible, drawing on a wide range of influences from rock and roll, R&B, pop, and folk music. Their songwriting, vocal harmonies, and instrumental prowess set them apart from other bands of the time and helped to redefine the sound of popular music.

• Cultural Context: The Beatles emerged during a period of significant cultural and social change, known as the "Swinging Sixties." Their music and image reflected the optimism, energy, and rebellion of the youth culture of the time, resonating with a generation that was eager for change and self-expression.

• Media Exposure: The Beatles benefited from extensive media exposure, including radio airplay, television appearances, and coverage in newspapers and magazines. Their appearance on The Ed Sullivan Show in February 1964 introduced them to a massive American audience and helped to fuel the phenomenon of Beatlemania.

• Managerial and Marketing Savvy: The Beatles were managed by Brian Epstein, who played a crucial role in shaping their image, promoting their music, and securing lucrative recording and performance deals. Epstein's vision and marketing savvy helped to elevate The Beatles from a local Liverpool band to international superstars.

• Global Touring and Promotion: The Beatles embarked on several successful tours around the world, performing live concerts and making personal appearances that further fueled their popularity and fan base. Their concerts were highly anticipated events that drew huge crowds of screaming fans wherever they went.

• Crossing Generational and Cultural Boundaries: The Beatles' music appealed to a broad audience across generational and cultural boundaries. Their catchy melodies, relatable lyrics, and universal themes resonated with people of all ages and backgrounds, helping to make them one of the most beloved and enduring bands in history.

The Beatles Arriving at EMI Studios, London (July 23, 1969)

At Abbey Road Studios on Wednesday, July 23, 1969,  musical history was being meticulously crafted. Under the guiding hand of producer George Martin and the technical expertise of engineers Geoff Emerick and Phil McDonald, The Beatles embarked on a day of intensive recording in Studio Three.

The spotlight fell on Paul McCartney as he stepped up to the microphone to lay down the long-awaited lead vocals for 'Oh! Darling'. After weeks of early morning sessions, McCartney's quest for the perfect take reached its climax as he poured his soul into each note, striving to capture the raw emotion of the song.

With 'Oh! Darling' finally in the can, attention turned to 'Come Together', as additional vocal layers were delicately woven into the tapestry of sound. But it was the epic finale, known then as 'Ending', that truly stole the show. The Beatles, in their trademark collaborative spirit, rehearsed tirelessly before laying down seven takes of the backing track, each a testament to their musical prowess.

As the day drew to a close, the control room of Studio Two buzzed with anticipation as an hour-long playback of the day's recordings unfolded. From the raw intensity of 'Oh! Darling' to the intricate layers of 'Ending', the playback offered a glimpse into the creative journey of one of the greatest bands the world had ever known.

In Studio Three, amidst the flicker of tape reels and the hum of amplifiers, The Beatles forged ahead, each chord and lyric immortalized in the annals of music history. And as the sun set on Abbey Road, the echoes of their genius reverberated through the corridors, a testament to the enduring legacy of a band that dared to dream beyond the confines of convention.

 

Pattie Boyd Pictures

Photos of the Beatles on Lucky Stars (Summer Spin) Birmingham (June 23, 1963)

On June 23, 1963, The Beatles headlined a special edition of "Summer Spin," which was the summer version of the popular show "Thank Your Lucky Stars." The episode was dedicated to Mersey Beat groups and was filmed at Alpha Television Studios in Birmingham, England.

Presented by Pete Murray, the show featured The Beatles miming to two songs at the close: "From Me To You" and "I Saw Her Standing There." The broadcast took place on June 29, 1963, from 6:05 to 6:45 pm across most of the UK's ITV network. However, the final 10 minutes of the show overlapped with John Lennon's appearance on the BBC's "Juke Box Jury."

Unfortunately, no recording of this particular program is believed to exist today

 

John Lennon on Juke Box Jury (June 22, 1963)

On June 22, 1963, John Lennon appeared on the BBC-TV program "Juke Box Jury" at Television Theatre in London. The episode aired a week later on June 29, 1963. "Juke Box Jury" was a weekly show where a panel of celebrities rated newly released records as either 'HIT' or 'MISS' based on their personal opinions.

Lennon's appearance on the show caused a stir as he rated every record as a 'MISS,' prompting criticism from some who viewed him as cynical. During the taping, Lennon gave a scathing review of Elvis Presley's new record "Devil In Disguise," expressing disappointment with Presley's departure from his earlier style.

After the taping, Lennon was flown by helicopter from Battersea Airport to Abergavenny, where The Beatles were scheduled to perform at the Abergavenny Town Hall Ballroom in Wales.

Unfortunately, the video recording of Lennon's appearance on "Juke Box Jury" no longer exists. However, most of the audio from the show has survived, providing insight into Lennon's candid and sometimes humorous critiques of the featured songs.

This appearance marked a notable moment in Lennon's outspokenness and honesty, further solidifying his reputation as a provocative figure in the music industry.

 

The David Frost Show (June 14, 1969)

On Saturday, June 14th, 1969, John Lennon and Yoko Ono made a memorable appearance on The David Frost Show. The couple, known for their activism and avant-garde approach to art, took the opportunity to share their message of peace and challenge societal norms.

Recorded at the InterTel studios in Wembley, London, the episode featured Lennon and Ono engaging in their trademark eccentricity. As the show began, acorns were playfully tossed into the audience, marking the start of "acorns for peace week." Lennon, ever the provocateur, held up their album Unfinished Music No 2: Life With The Lions and extended birthday wishes to the Queen.

The conversation delved into their experimental music, with Frost humorously discussing the controversial cover of Two Virgins and its black market value. Lennon and Ono also touched on their artistic philosophy, emphasizing the interconnectedness of all creative forms and the concept of "Bagism."

Bagism, they explained, was a metaphor for societal divisions and prejudices, encapsulated in the idea of being "in a bag." By getting "in the bag," they argued, one could experience a peaceful detachment from societal norms and biases.

Their advocacy for peace extended beyond philosophical discussions. Lennon passionately advocated for peace as a commodity, urging people to "sell peace" like any other product. Through their famous "bed-ins" and other acts of activism, Lennon and Ono sought to disrupt the status quo and promote a world free from violence and discrimination.

The interview with Frost was not just a showcase of their music or ideas but a snapshot of a transformative era. Lennon and Ono's willingness to challenge conventions and use their platform for social change left a lasting impression on viewers, echoing their timeless message of love and peace.

 

Paul McCartney Interview at the Melbourne’s Southern Cross Hotel in Australia (June 14, 1964)

On June 14, 1964, Ringo Starr rejoined The Beatles in Melbourne, Australia, after nearly two weeks apart due to illness. Starr had been recovering from tonsillitis and pharyngitis. He held a press conference at Sydney Airport with manager Brian Epstein before flying to Essendon Airport in Melbourne.

Despite large crowds awaiting the other three Beatles, who were scheduled to arrive five hours later, Starr expressed discomfort being separated from the group during his flight. He found solace in reuniting with his bandmates, especially as they had bought him presents in Hong Kong.

Upon Starr's arrival at Melbourne's Southern Cross Hotel, he was greeted by 3,000 fans. Inspector Mike Patterson attempted to carry Starr through the crowd on his shoulders but accidentally tripped and fell.

Meanwhile, the other Beatles left their Adelaide hotel and arrived in Melbourne to a crowd of 5,000. The hotel was overrun with fans, requiring the assistance of army and navy troops.

The Beatles received a police escort upon entering Melbourne, with 12 motorcyclists leading the way. Amidst chaos and hysteria, the band was ushered into the Southern Cross Hotel, where they waved to fans from their windows to calm the crowd.

Once reunited, The Beatles, along with stand-in drummer Jimmie Nicol, held a press conference and later attended a party until 4 am, marking the joyful reunion of the band after Starr's illness.

 

John Lennon & George Harrison interviewed in Rishikesh, India (April 10, 1968)

On Friday, April 12, 1968, after nearly two months immersed in the practice of Transcendental Meditation under the guidance of Maharishi Mahesh Yogi in Rishikesh, India, John Lennon and George Harrison, along with Cynthia Lennon, Pattie Harrison, and their friend 'Magic' Alex Mardas, made the decision to depart from the camp. This choice was influenced by Mardas's allegations that Maharishi had behaved inappropriately with a young female meditator, leading Lennon and Harrison to believe that they should leave immediately.

Despite initial doubts and the absence of concrete evidence, Lennon and Harrison were swayed by Mardas's claims, and they departed for Delhi with plans to return to London. Reflecting on the situation later, Lennon expressed disillusionment with Maharishi's behavior, feeling that the spiritual leader had become too preoccupied with fame and wealth.

As they prepared to leave, Lennon began composing the song "Sexy Sadie," inspired by the events and feelings surrounding their departure from the camp. The lyrics reflected his skepticism and frustration towards Maharishi. The song's title was suggested by Harrison, and the two musicians continued to develop it as they journeyed to Delhi.

Following their departure, Harrison and Pattie Harrison, accompanied by her sister Jenny, ventured to Madras to visit sitar virtuoso Ravi Shankar, finding solace in his music before facing the chaos awaiting them upon their return to England.

Ultimately, the departure from Rishikesh marked the end of their spiritual retreat and the beginning of their reintegration into the tumultuous world awaiting them back home.

 

Will The Real Mr. Sellers Please Stand Up (1969)

This rarely seen 1969 documentary offers a fascinating glimpse behind the scenes of the making of The Magic Christian, featuring exclusive interviews with the iconic Peter Sellers. Narrated by Spike Milligan, the film delves into Sellers' complex persona, with candid appearances from notable figures such as Ringo Starr, Paul McCartney, Linda McCartney, and John Lennon.

Despite its intriguing content, the documentary was never rebroadcasted by the BBC, purportedly because Sellers felt it portrayed him in a depressed light. Milligan provides insightful commentary, dissecting Sellers' character amidst the production chaos.

Viewers should be prepared for strong imagery, including scenes of a bullfight, open-heart surgery, and nudity. Despite any perceived melancholy, Sellers continued his illustrious career for 11 more years after this documentary's release.

Tragically, Sellers passed away on July 24, 1980, succumbing to a massive heart attack at the Dorchester Hotel in London, leaving behind a legacy that continues to captivate audiences.

 

Why Didn't John Lennon Have Security?

John Lennon famously opted not to have security for a variety of reasons, but primarily because he wanted to maintain a sense of normalcy and freedom in his life. He was known for his belief in peace and love and often expressed a desire to connect with people on a personal level. Additionally, he may have felt that having security would create a barrier between himself and his fans, which went against his desire for openness and accessibility. Unfortunately, this decision left him vulnerable, and tragically, he was fatally shot by a fan outside his apartment building in New York City in 1980.

One afternoon I entered the room while John entertained a guest. My sudden appearance took him by surprise but rather than sending me away, he introduced us.

“Michael, this is Doug MacDougall.”

“Doug, this is Michael . . .” John said. Then he couldn't recall my last name. He gave me a look and blurted, “This is Michael Tree.” My Portuguese family name always got him confused.

The next day, John told me Doug was a retired FBI agent hired to be Sean's bodyguard. He worried that his son could be the target of kidnappers.

-In John Lennon's Garden

According to Fred Seaman: "The bodyguard, an ex-FBI agent named Doug MacDougall, was originally hired in spring 1979 as Sean’s bodyguard. After John and Yoko went public in September 1980 MacDougall urged Yoko to beef up security. He was particularly alarmed by an interview Yoko gave to the Daily News in which she indiscreetly talked about their recording schedule and even the route their limo took. On September 25 Doug had a stormy meeting with Yoko in which he suggested that they have an armed guard ride with John and Yoko in their limo, or that a guard meet their limo at the entrance to the recording studio and Dakota. Yoko rejected both suggestions. Frustrated by Yoko’s lackadaisical attitude regarding security Doug then went on a 'leave of absence.' He was scheduled to meet with Yoko on December 9 to review the security issue, but by then it was too late."