"I was trying to write about an affair without letting me wife know I was writing about an affair, so it was very gobbledygook. I was sort of writing from my experiences, girls' flats, things like that.
"I wrote it at Kenwood. George had just got the sitar and I said, 'Could you play this piece?' We went through many different sort of versions of the song, it was never right and I was getting very angry about it, it wasn't coming out like I said. They said, 'Well, just do it how you want to do it.' And I said, 'Well, I just want to do it like this.' They let me go and I did the guitar very loudly into the mic and sang it at the same time and then George had the sitar and I asked him could he play the piece that I'd written, you know, dee diddley dee diddley dee, that bit, and he was not sure whether he could play it yet because he hadn't done much on the sitar but he was willing to have a go, as is his wont, and he learned the bit and dubbed it on after. I think we did it in sections."