Tuesday, August 19, 2008

The Beatles - Beatles For Sale (Japanese Mono LP) Red Wax

Label: Dr. Ebbetts, EAS 70133

1. No Reply (Lennon/McCartney)
2. I'm A Loser (Lennon/McCartney)
3. Baby's In Black (Lennon/McCartney)
4. Rock And Roll Music (Berry)
5. I'll Follow The Sun (Lennon/McCartney)
6. Mr Moonlight (Johnson)
7. Kansas City/Hey-Hey-Hey-Hey! (Leiber-Stoller/Penniman)
8. Eight Days A Week (Lennon/McCartney)
9. Words Of Love (Holly)
10. Honey Don't (Perkins)
11. Every Little Thing (Lennon/McCartney)
12. I Don't Want To Spoil The Party (Lennon/McCartney)
13. What You're Doing (Lennon/McCartney)
14. Everybody's Trying To Be My Baby (Perkins)

Liner Notes:
THE FOLLOWING TITLES ARE PART OF A NEW DR. EBBETTS VINYL SERIES – THE RED JAPANESE MONO VINYL COLLECTION – OR SIMPLY PUT, THE “RED MONOS.” THE FOLLOWING ADDITIONS TO THE EBBETTS CANON ARE SOURCED FROM THE ORIGINAL SERIES 1982 JAPANESE RED MONO VINYL LPs, CONSIDERED BY MANY TO BE AMONG THE VERY BEST REPRESENTATIONS OF THE BEATLES ORIGINAL MONO CATALOGUE. ALL BUT TWO OF THE TEN TITLES THAT COMPRISE THIS SET ARE INCLUDED HERE. THE REMAINING TWO TITLES WILL BE RELEASED VERY SOON.

Behind the Headlines

FREDERICK JAMES digs out some background facts inspired by the news-making stories from The Beatles' December 1965 tour.

Nobody could doubt that THE BEATLES' December concert tour of the U.K. was one of the most action-packed of their career. Eight thousand pounds had to be returned by the management of the Cardiff Capitol after all seats for their two shows had been allocated. Scores of policemen linked arms right across the front of the stalls at Hammersmith where nearly 7,000 Beatle People packed the vast Odeon during the evening. The crowds, the screams, the enthusiasm of the fans and the details of the actual performances have passed into pop history via news reports.

YOU MUST HAVE READ ABOUT THE SMASHING OF GEORGE'S GUITAR. IT WAS FASTENED TO THE BOOT OF THE GROUP'S AUSTIN PRINCESS AND IT FELL OFF DURING THE DRIVE TO SCOTLAND. ACCORDING TO A DISAPPOINTED GEORGE, AT LEAST FOURTEEN LORRIES MUST HAVE RUN OVER THE GUITAR BEFORE THE BOYS LOCATED ALL THE BATTERED BITS AT THE SIDE OF THE MOTORWAY.

Luckily this wasn't one of the instruments George needed on stage. He'd been using it to rehearse. Before setting out for Scotland all the boys got together in the West End basement flat occupied by Neil and Mal. Here they put in nearly eight hours of act-polishing practice on the new numbers for the tour.

Instruments used during this session were strapped together on the back of the Princess. Mal had already left London by van with the rest of the equipment. His load included seven guitars--two each for John and Paul plus three for George.

The last time a Beatle lost a guitar was two years ago when the boys put on their first Christmas Show at Finsbury Park. John and George had purchased a pair of Gibson Jumbos towards the end of 1962. They were very proud of these having saved up their money for the H.P. deposits with much determination. The Jumbos were the first two spares bought by the boys. Otherwise they were using stuff bought in Germany for £40 or £60.

By the time of the Finsbury Park show the total collection of Beatle guitars had grown, but John and George were using their Gibson Jumbos in the dressing room and they were there as stand-by replacements if strings snapped during a performance.

Recalls John: "George and I often took a Jumbo home with us so nobody noticed until the end of the season that one was missing. A week or two afterwards I asked Mal where he'd put my Jumbo. It was only then that we realised the guitar had been pinched at Finsbury Park. No, I never got it back."

LOSING HIS £300 GRETSCH COUNTRYMAN WASN'T THE END OF GEORGE'S PROBLEMS IN SCOTLAND. DURING THE OPENING PERFORMANCE IN GLASGOW HIS AMPLIFIER CEASED TO FUNCTION. SAYS GEORGE: "I CHECKED THE JACK PLUGS, TWIDDLED THE VOLUME CONTROL, FIDDLED WITH EVERYTHING IN SIGHT. IT TURNED OUT THAT THE AMPLIFIER ITSELF WAS O.K. BUT THE LEAD HAD BROKEN SOMEWHERE ALONG THE WAY."

Way back in the Cavern days the boys were used to this type of trouble. Amps and lights blew up quite regularly and the cause was usually the excessive amount of condensation on the walls and ceiling above the stage. So much damp dripped down that electrical problems became an accepted occupational hazard of Cavern sessions!

According to Neil, equipment break-downs happened less frequently once The Beatles started to play the major theatre and cinema circuits. The last major disasterhe can remember happened in Brighton one Sunday during the summer of '63. "Mal hadn't joined us then," says Neil. "I was responsible for setting up the equipment on stage. Everything was ready--switched on, tested and working. The boys used to open with a very fast Little Richard number at that time. I think it was 'Oh My Soul'. Anyway, George had a big guitar intro on the number. After a few seconds EVERYTHING went dead. It was pointless to think of continuing so I got the stage people to close the curtains right away. I dashed on stage and we re-checked everything."

A minute later all seemed to be well, the curtains were opened for a second time and George went into his hefty intro.

"Then, for a second time, everything just went dead," recalls Neil. "It was ridiculous. We thought we were all going potty. This time John ran into the wings muttering something about the whole lot blowing up at any moment!"

The cause was traced to the drummer with one of the show's other groups. Not to The Beatles' amps or leads or speakers! This drummer was shifting his kit around behind the scenes and he'd dumped a heavy bass drum on the mains supply point. The fact that he broke circuit just after The Beatles started to play was pure coincidence.

THE TWO CONCERTS AT THE LIVERPOOL EMPIRE MUST HAVE BROUGHT BACK MANY MEMORIES FOR JOHN, PAUL, GEORGE AND RINGO.

It was at this theatre, on Sunday, 28 October 1962, that The Beatles made their first major concert appearance. They came on after The Breakaways as Item 3 in the first half of the programme. After doing just four numbers--including "Love Me Do" and "P.S. I Love You"--they stayed on stage to accompany Craig Douglas. The rest of the bill included Sounds Incorporated, Kenny Lynch and Jet Harris with Little Richard closing the show.

At the Empire on Sunday, 5 December 1965, they played to two capacity houses just as they had done over three years earlier. Again the audience included friends and relatives from various parts of Merseyside. The audience also included two little girls who managed to meet The Beatles backstage to discuss their Save-The-Cavern campaign.

A thousand shows--a thousand stories. But to the boys the most important performance is always the one they're just about to do. And this Autumn Tour was no exception to the rule.

Monday, August 18, 2008

The Beatles - Something New (German Stereo LP - Odeon)

Label: Dr. Ebbetts, 1C 072-04 600

1. I'll Cry Instead (Lennon/McCartney)
2. Things We Said Today (Lennon/McCartney)
3. Any Time At All (Lennon/McCartney)
4. When I Get Home (Lennon/McCartney)
5. Slow Down (Williams)
6. Matchbox (Perkins)
7. Tell Me Why (Lennon/McCartney)
8. And I Love Her (Lennon/McCartney)
9. I'm Happy Just To Dance With You (Lennon/McCartney)
10. If I Fell (Lennon/McCartney)
11. Komm, Gib Mir Deine Hand (Lennon/McCartney/Nicolas/Hellmer)

Liner Notes:
By overwhelming request, the German wing of the Ebbetts catalogue continues to grow. Here, is the lineup of the US "Something New" LP in beautiful German stereo. It features the extended ending of "And I Love Her."

The Beatles - The Beatles Vs. The Four Seasons (US Mono LP - VeeJay)

Label: Dr. Ebbetts, VJDX 30

1. I Saw Her Standing There (Lennon/McCartney)
2. Misery (Lennon/McCartney)
3. Anna (Go To Him) (Alexander)
4. Chains (Goffin/King)
5. Boys (Dixon/Farrell)
6. Ask Me Why (Lennon/McCartney)
7. Please Please Me (Lennon/McCartney)
8. Baby It's You (David/Bacharach/Williams)
9. Do You Want To Know A Secret (Lennon/McCartney)
11. There's A Place (Lennon/McCartney)
12. Twist And Shout (Russell/Medley)
13. Sherry
14. I've Cried Before
15. Marlena
16. Soon (I'll Be Home Again)
17. Ain't That A Shame (Domino/Bartholomew)
18. Walk Like A Man
19. Connie-O
20. Big Girls Don't Cry
21. Starmaker
22. Candy Girl
23. Silver Wings
24. Peanuts

Notes:
Tracks 1.-12. : The Beatles (Same as VeeJay LP INTRODUCING...THE BEATLES - Version 2)

Tracks 13.-24. : The Four Seasons (Same as VeeJay LP THE GOLDEN HITS OF THE FOUR SEASONS)

Eight Arms to Hold You: The Solo Beatles Compendium

by Chip Madinger and Mark Easter

Over thirty years in the making... over twenty years of research... over two years of writing... and here it is!

Eight Arms To Hold You: The Solo Beatles Compendium is the ultimate look at the careers of John Lennon, Paul McCartney, George Harrison and Ringo Starr beyond the Beatles. Every aspect of their professional careers as solo artists is explored, from recording sessions, record releases and tours, to television, film and music videos, including everything in between. From their early film soundtrack work to the officially released retrospectives, all solo efforts by the four men are exhaustively examined.

Not only are John, Paul, George and Ringo's official projects investigated in detail, along with the events surrounding their recording and release, but the best available sources for each are specified. This same approach is used to profile the unissued recordings and performances by all four - both bootlegged and in private circulation. In short, this is the reference guide that Beatles collectors have been waiting for decades!

Over the past twenty years, noted Beatles authors Chip Madinger and Mark Easter have done extensive primary and secondary research to ensure that no fact has gone unchecked, and no myth has gone unprobed. The result is this massive 700 plus page work, the scope of which has never previously been attempted.

Sunday, August 17, 2008

The Beatles - A Hard Day's Night (Japanese Mono LP) Red Wax

Label: Dr. Ebbetts, EAS 70132

1. A Hard Day's Night (Lennon/McCartney) 2:34
2. I Should Have Known Better (Lennon/McCartney) 2:46
3. If I Fell (Lennon/McCartney) 2:23
4. I'm Happy Just To Dance With You (Lennon/McCartney) 2:00
5. And I Love Her (Lennon/McCartney) 2:33
6. Tell Me Why (Lennon/McCartney) 2:12
7. Can't Buy Me Love (Lennon/McCartney) 2:16
8. Any Time At All (Lennon/McCartney) 2:14
9. I'll Cry Instead (Lennon/McCartney) 1:49
10. Things We Said Today (Lennon/McCartney) 2:40
11. When I Get Home (Lennon/McCartney)
12. You Can't Do That (Lennon/McCartney) 2:38
13. I'll Be Back (Lennon/McCartney) 2:22

Liner Notes:
THE FOLLOWING TITLES ARE PART OF A NEW DR. EBBETTS VINYL SERIES – THE RED JAPANESE MONO VINYL COLLECTION – OR SIMPLY PUT, THE “RED MONOS.” THE FOLLOWING ADDITIONS TO THE EBBETTS CANON ARE SOURCED FROM THE ORIGINAL SERIES 1982 JAPANESE RED MONO VINYL LPs, CONSIDERED BY MANY TO BE AMONG THE VERY BEST REPRESENTATIONS OF THE BEATLES ORIGINAL MONO CATALOGUE. ALL BUT TWO OF THE TEN TITLES THAT COMPRISE THIS SET ARE INCLUDED HERE. THE REMAINING TWO TITLES WILL BE RELEASED VERY SOON.

Drugs, Divorce and a Slipping Image: The Complete, Unauthorized Story of The Beatles' 'Get Back' Sessions

by Doug Sulpy with Ray Schweighardt

DRUGS, DIVORCE and a SLIPPING IMAGE - The Complete, Unauthorized Story of The Beatles' 'Get Back' Sessions - by Doug Sulpy with Ray Schweighardt New, completely revised edition! This new volume isn t just a compilation of material from the 1994 book Drugs, Divorce and a Slipping Image (also later published as 'Get Back') and 'The 910's Guide To The Beatles Outtakes Part Two: The Complete Get Back Sessions' (2001). I've re-listened to the entire canon of available Get Back session tapes, come up with a bunch of new conclusions (and even a handful of new identifications!), and pretty much re-written half the book from scratch. In addition, great effort has been made to improve readability of the book. Songs have now been put into groups (generally by Nagra reel, or series of them), rather than describing each performance separately, as was done in the original. In every way, this is the book we wished we could have written in 1994.

Doug Sulpy is recognized worldwide as perhaps the world s premier expert on unreleased Beatles recordings, having authored (or co-authored) a number of highly respected books on popular music, edited/published The 910 magazine for many years, contributed to several leading music publications and written liner notes for several CD compilations.