"Crying, Waiting, Hoping"

"Crying, Waiting, Hoping" is a song by Buddy Holly. It was released in 1959 as B-side to "Peggy Sue Got Married." There are actually three versions of Holly's recording in circulation: the 1959 commercial release, the 1964 reissue with different orchestration, and Holly's original, private home recording.

Recordings

The song was first recorded on December 14, 1958 by Holly (only himself with guitar) in apartment 4H of "The Brevoort", Fifth Avenue (Manhattan), Manhattan (many other sourced say apartment 3B). After Holly's death on February 3, 1959, his home recordings of his last six compositions were turned over to record producer Jack Hansen. Hansen hired studio musicians and a backup vocal group, the Ray Charles Singers, to augment Holly's vocal and guitar. The idea was to match the established sound of Buddy Holly and the Crickets as closely as possible.

"Crying, Waiting, Hoping" is technically the most successful of the six overdubs; it turned out so well that it was originally intended as the "A" side of a 45-rpm single. Holly wrote and recorded the song with pauses ("Cryin'... waitin'... hopin'... you'll come back"). Hansen ingeniously turned the solo into call-and-response verses, so the backup singers fill in the pauses with an "echo" of each word. (For a German reissue of this song, the producer took the "echo" idea literally, and played the Hansen recording in an echo chamber.)

Hansen's studio version of "Crying, Waiting, Hoping" was recorded on June 30, 1959 at Coral Records' Studio A, along with "Peggy Sue Got Married"). Both sides were released as Buddy Holly's first posthumous single. (The remaining four tunes on Holly's tape were re-recorded by Hansen and company in 1960. All six were issued on an album, "The Buddy Holly Story, Vol. 2.")

Holly's manager, Norman Petty, recorded his own versions of the last six Holly originals in 1964, using his own studio facilities and backup group, The Fireballs. Petty's versions differ from Hansen's versions in that there are no background vocals, and the melodies have new surf-guitar arrangements added to them.

The original, undubbed tape from 1958 has not seen widespread release but has circulated among collectors.

Covers

Because "Crying, Waiting, Hoping" was popular in England's Merseybeat-scene, the song was recorded by others, including a remake by The Beatles, with George Harrison doing the vocal and replicating studio guitarist Donald Arnone's instrumental bridge, note for note.

In 1987, Marshall Crenshaw portrayed Buddy Holly in the movie La Bamba, he is featured singing the song on what is supposed to be February 2, 1959, Buddy's final show before dying in the plane crash in the early hours of February 3rd, "the Day the Music Died". Crenshaw's version of "Crying, Waiting, Hoping" was produced by Garry Tallent and is featured on the original motion picture soundtrack.

B-side to "Peggy Sue Got Married" by Buddy Holly
Released: July 20, 1959
Recorded: December 14, 1958
Label: Coral C 62134
Writer: Buddy Holly
Producer: Jack Hansen

Wikipedia

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John Lennon on "Revolution 9"

"'Revolution 9' was to me like a sound picture, more an abstract sound picture, a montage of feelings in sound. It was really an unconscious vision of what happens, or what I think happens, when it happens. It was just like sketching a revolution in sound. I had about 30 or 40 tape loops going like we did with 'Tomorrow Never Knows,' and we fed them on to one track of the tape machine. That ominous voice repeating 'Number 9, Number 9' was one of these loops. It was some kind of an EMI test tape that I found in the library. I would cut up classical music tapes, all sorts of things from upstairs. We would make copies of the masters and chop them up into these loops and things. The others started losing interest in doing it, so that's why I'm credited with it. There are many symbolic messages going on in it, but it just happened. You know, cosmic meandering."

"You Can't Do That" Lyrics

by John Lennon and Paul McCartney

As Released by the Beatles (1964)

I got something to say
That might cause you pain
If I catch you talking
To that boy again.

I'm gonna let you down
And leave you flat
Because I told you before
Oh you can't do that.

Well, it's the second time
I caught you talking to him
Do I have to tell you one more time
I think it's a sin?

I think I'll let you down (let you down)
And leave you flat
(Gonna let you down and leave you flat)
Because I told you before
Oh you can't do that.

Everybody's green
'cos I'm the one who won your love
But if they'd seen
You talking that way
They'd laugh in my face.

So please listen to me
If you wanna stay mine
I can't help my feelings
I go outta my mind.

I'm gonna let you down (let you down)
And leave you flat
(Gonna let you down and leave you flat)
Because I told you before
Oh you can't do that - no!

You can't do that
You can't do that
You can't do that
You can't do that
You can't do that.

Everybody's green
'cos I'm the one who won your love
But if they'd seen
You talking that way
They'd laugh in my face.

So please listen to me
If you wanna stay mine
I can't help my feelings
I go outta my mind.

I'm gonna let you down (let you down)
And leave you flat
(Gonna let you down and leave you flat)
Because I told you before
Oh you can't do that.

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John Lennon on "Help!"

"I meant it--it's real. The lyric is as good now as it was then. It is no different, and it makes me feel secure to know that I was that aware of myself then. It was just me singing 'Help!' and I meant it.

"I don't like the recording that much; we did it too fast trying to be commercial. I like 'I Want to Hold Your Hand.' We wrote that together, it's a beautiful melody. I might do 'I Want to Hold Your Hand' and 'Help!' again, because I like them and I can sing them. 'Strawberry Fields' because it's real, real for then, and I think it's like talking, 'You know, I sometimes think no . . .' It's like he talks to himself, sort of singing, which I thought was nice."

"Wild Honey Pie" Lyrics

by John Lennon and Paul McCartney

Honey Pie, Honey Pie.

Honey Pie, Honey Pie.

Honey Pie, Honey Pie, Honey Pie, Honey Pie
I love you, yeah, Honey Pie, wuh!