Saturday, January 14, 2006

Dig A Pony

AUTHORSHIP Lennon (1.00)
Paul had no input on "Dig A Pony", which was entirely John's. Paul McCartney: Many Years from Now
When the original song listing for the Get Back album was released this song was called "All I Want Is You." Beatles Illustrated Record : 3rd Revised Edition

RECORDED
January 30, 1969, on the Apple Studios rooftop, after rehearsals January 22 and 28

INSTRUMENTATION
McCARTNEY: bass, harmony vocal
LENNON: lead guitar, lead vocal
HARRISON: rhythm guitar
STARR: drums
BILLY PRESTON: organ

MISCELLANEOUS
This song was listed on the U.S. album sleeve as "I Dig A Pony." Beatles Illustrated Record : 3rd Revised Edition

COMMENTS BY BEATLES
LENNON: "Another piece of garbage." September 1980, All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono

A Taste Of Honey

AUTHORSHIP Ric Marlow (.5) and Bobby Scott (.5) for the play A Taste of Honey (1960). The Long and Winding Road: An Intimate Guide to the Beatles

RECORDED
February 11, 1963, at Abbey Road

INSTRUMENTATION
McCARTNEY: bass, lead vocal (double-tracked)
LENNON: rhythm guitar, harmony vocal
HARRISON: lead guitar, harmony vocal
STARR: drums

MISCELLANEOUS
This song was part of the Beatles' repertoire for concerts in 1962 and 1963. The Complete Beatles Chronicle
The original recording artist was Bobby Scott and Combo, whose 1960 version appeared on the soundtrack album of the movie of the same name. The Beatles Book of Lists
Other versions were also recorded before the Beatles': the Victor Feldman Quartet (released June 4, 1962) and Martin Denny (June 18, 1962) versions were instrumentals. Lenny Welch released the first vocal version September 17, 1962. The Long and Winding Road: An Intimate Guide to the Beatles

The first meeting between Brian Epstein and The Beatles takes place in The Cavern Club, in Mathew Street, November 9, 1961

ALISTAIR TAYLOR: "Brian and I looked out of place in white shirts and dark business suits. The Beatles were playing 'A Taste Of Honey' and 'Twist And Shout'. We were particularly impressed that they included original songs." The Beatles Off the Record: Outrageous Opinions & Unrehearsed Interviews

Friday, January 13, 2006

Carry That Weight

AUTHORSHIP McCartney (1.00)
McCARTNEY: "I'm generally quite upbeat but at certain times things get to me so much that I just can't be upbeat any more and that was one of the times. We were taking so much acid and doing so much drugs and all this Klein shit was going on and getting crazier and crazier and crazier. Carry that weight a long time: like forever! That's what I meant. There was what my Aunty Jin would have called a bad atmosphere - 'Oh, I can feel the atmosphere in this house, love.' It wasn't difficult, she wouldn't have liked it there. It was 'heavy'. 'Heavy' was a very operative word at that time - 'Heavy, man' - but now it actually felt heavy. That's what 'Carry That Weight' was about: not the light, rather easy-going heaviness, albeit witty and sometimes cruel, but with an edge you could exist within and which always had a place for you to be. In this heaviness there was no place to be. It was serious, paranoid heaviness and it was just very uncomfortable." Paul McCartney: Many Years from Now


RECORDED
"Golden Slumbers" and "Carry That Weight" were recorded as one song July 2, 1969, at Abbey Road. Overdubbing was added July 3, 4, 30 and 31 and August 15

INSTRUMENTATION
McCARTNEY: piano, lead and chorus vocal
LENNON: bass, chorus vocal
HARRISON: lead guitar, chorus vocal
STARR: drums, chorus vocal
SESSION MUSICIANS: strings, brass

All four Beatles sing the "Carry that weight" chorus. All but Starr sing the "I never give you my pillow" verse. The Long and Winding Road: An Intimate Guide to the Beatles

All Together Now

AUTHORSHIP McCartney (1.00)
"All Together Now" was a number in the musical-hall tradition.
McCARTNEY: "When they were singing a song, to encourage the audience to join in they'd say 'All together now!' so I just took it and read another meaning into it, of we are all together now. So I used the dual meaning. It's really a children's song. I had a few young relatives and I would sing songs for them. I used to do a song for kids called 'Jumping Round the Room', very similar to 'All Together Now', and then it would be 'lying on your backs', all the kids would have to lie down, then it would be 'skipping round the room', 'jumping in the air'. It's a play away command song for children. It would be in G, very very simple chords, only a couple of chords, so that's what this is. There's a little subcurrent to it but it's just a sing-along really. A bit of a throwaway." Paul McCartney: Many Years from Now

RECORDED
May 12, 1967, at Abbey Road

INSTRUMENTATION
McCARTNEY: bass, acoustic guitar, lead vocal
LENNON: banjo, backing vocal
HARRISON: harmonica, backing vocal
STARR: drums, finger cymbals

MISCELLANEOUS
The Beatles sing this in an appearance at the end of the film Yellow Submarine.

COMMENTS BY BEATLES
LENNON: "I enjoyed it when football crowds in the early days would sing 'All Together Now.' " Red Mole (March 8-22, 1971) via Beatles in Their Own Words

Thursday, January 12, 2006

Come Together

CHART ACTION
UNITED KINGDOM: Also released as a single October 31, 1969, as the "second A side" to "Something." The Long and Winding Road: An Intimate Guide to the Beatles

UNITED STATES: Also released as a single October 6, 1969. It entered the Top 40 October 18, rose to No. 1, and stayed on the chart for sixteen weeks. The Long and Winding Road: An Intimate Guide to the Beatles and Billboard

AUTHORSHIP Lennon (1.00)
Written after Lennon's car accident on July 1, 1969. The Long and Winding Road: An Intimate Guide to the Beatles

LENNON: " 'Come Together' is me - writing obscurely around an old Chucky Berry thing. I left the line in 'Here comes old flat-top.' It is nothing like the Chuck Berry song, but they took me to court because I admitted the influence once years ago. I could have changed it to 'Here comes old iron face,' but the song remains independent of Chuck Berry or anybody else on earth." September 1980, All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono
Lennon was sued on grounds that he stole the opening melody and first two lines of the lyrics from Chuck Berry's "You Can't Catch Me." Lennon settled - while denying copying the song in October 1973 by agreeing to record three songs published by Big Seven Music. Ballad and Love
They turned out be Berry's "You Can't Catch Me" and "Sweet Little Sixteen," both on Lennon's Rock 'n' Roll album in 1975, and "Ya Ya," by Lee Dorsey and Morris Levy, on his Walls And Bridges album in 1974.

McCARTNEY: "He originally brought it over as a very perky little song, and I pointed out to him that it was very similar to Chuck Berry's 'You Can't Catch Me'. John acknowledged it was rather close it to so I said, 'Well, anything you can do to get away from that.' I suggested that we tried it swampy - 'swampy' was the word I used - so we did, we took it right down. It's actually that bass line down which very much makes the mood. It's actually a bass line that people now use very often in rap records. If it's not a sample, they use that riff. But that was my contribution to that." Paul McCartney: Many Years from Now

LENNON: "The thing was created in the studio. It's gobbledygook. 'Come Together' was an expression that Tim Leary had come up with for [possibly running for the governorship of California against Ronald Reagan], and he asked me to write a campaign song. I tried and I tried, but I couldn't come up with one. But I came up with this, 'Come Together,' which would've been no good to him - you couldn't have a campaign song like that, right?" September 1980, All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono

RECORDED
July 21, 1969, at Abbey Road, as Lennon resumed a regular recording schedule following recuperation from his auto accident. Overdubs were added July 22, 23, 25, 29, and 30.

Each exclamation of "shoot" one hears Lennon singing is actually "shoot me!" followed immediately by a handclap. The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962-1970

GEOFF EMERICK, engineer: "On the finished record you can really only hear the word 'shoot!' The bass guitar note falls where the 'me' is." The Complete Beatles Recording Sessions: The Official Story of the Abbey Road Years 1962-1970

INSTRUMENTATION
McCARTNEY: bass, electric piano, harmony vocal
LENNON: lead vocal, handclaps
HARRISON: lead guitar
STARR: drums, maracas

McCARTNEY: ". . . Whenever [John] did praise any of us, it was great praise, indeed, because he didn't dish it out much. If ever you got a speck of it, a crumb of it, you were quite grateful. With 'Come Together,' for instance, he wanted a piano lick to be very swampy and smoky, and I played it that way and he liked that a lot. I was quite pleased with that." Playboy (December 1984)

Paul recorded a lot of heavy breathing on the end but it is buried so deep in the mix as to be inaudible. Paul McCartney: Many Years from Now

MISCELLANEOUS
This song was banned by the BBC because of the reference to Coca-Cola, which it deemed to be advertising. Beatles Illustrated Record : 3rd Revised Edition

John's copyright infringement was not overlooked by Morris Levy, owner of the Chuck Berry song. Though it was obviously only intended as an affectionate tribute to Berry, it got John into some very deep water in the early seventies when, as compensation, Levy persuaded him to release an album of rock 'n' roll songs available by mail order only through Levy's company Adam VIII Ltd. Paul McCartney: Many Years from Now

COMMENTS BY BEATLES
LENNON: "This is another of my favourites. It was intended as a campaign song at first, but it never turned out that way. People often ask how I write: I do it in all kinds of ways - with piano, guitar, any combination you can think of, in fact. It isn't easy." Beatles in Their Own Words

A year after recording 'Come Together', when Paul released the news that the Beatles were effectively disbanded, he told the Evening Standard:
"I would love the Beatles to be on top of their form and to be as productive as they were. But things have changed. They're all individuals. Even on Abbey Road we don't do harmonies like we used to. I think it's sad. On 'Come Together' I would have liked to sing harmony with John and I think he would have liked me to but I was too embarrassed to ask him and I don't work to the best of my abilities in that situation." Paul McCartney: Many Years from Now

LENNON: "It was a funky record - it's one of my favourite Beatle tracks." September 1980, All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono

Any Time At All

AUTHORSHIP Lennon (1.00)
LENNON: "[This was] an effort at writing 'It Won't Be Long.' Same ilk: C to A minor, C to A minor - with me shouting." September 1980, All We Are Saying: The Last Major Interview with John Lennon and Yoko Ono

RECORDED
June 2, 1964, at Abbey Road

INSTRUMENTATION
McCARTNEY: bass, piano, backing vocal
LENNON: acoustic guitar, lead vocal (double-tracked)
HARRISON: lead guitar
STARR: drums

MISCELLANEOUS
Lennon's manuscript of the lyrics sold for L6,000 at an auction at Sotheby's, London, in early April 1988. AP (April 8, 1988)

Wednesday, January 11, 2006

Cold Turkey

AUTHORSHIP Lennon (1.00)
LENNON: "I wrote this about coming off drugs and the pain involved." Beatles in Their Own Words

LENNON: "It was banned here [in the US] as well. They thought it was a pro-drugs song, you know. . . . I've always expressed what I've been feeling or thinking at the time, however badly or not, you know, from being . . . from early Beatle records on. It got . . . became more conscious later. But . . . so I was just show . . . writing the experience I'd had of withdrawing from heroin and saying, you know, this is what I thought when I was withdrawing.
"Marc Bolan said it was the only new thing that had happened since the original Beatles, when it came out. But I wasn't thinking I'm going to make a new sound. But it was pretty what they call minimal now. Just bass, drums and guitar.
"It was banned because it referred to drugs, and instead of using it as an example of, you know, 'Look, this guy is saying this is . . .' It was like, to me, it was a Rock 'n' Roll verison of The Man with the Golden Arm. You know, it's like banning The Man With The Golden Arm, because it showed Frank Sinatra suffering from drug withdrawal. To ban the record is the same thing. It's like banning the movie because it shows reality." December 6, 1980, The Last Lennon Tapes

LENNON: "We had to fight with the [record] company all the time . . . they didn't like 'Cold Turkey'. And they weren't too crazy . . . they didn't like the extra Beatle stuff. You know, they preferred to keep us in a box." December 6, 1980, The Last Lennon Tapes

LENNON: "When I went to look for the Cold Turkey master tapes, nobody knew where they were . . . So what I realised was if I don't put this Shaved Fish thing together, that's why I didn't call it oldies or goldies or the Best of, because it wasn't - some of them didn't hardly get any air play. But I thought if I don't put this package together, some of the works is just going to go . . . nobody's . . . they will be lost forever. So I've put it together and sort of . . . at least it's there now for anybody who's interested." December 6, 1980, The Last Lennon Tapes